Olafur Eliasson at Fondation Louis Vuitton
Can any artist compete with the combined fantasies of France richest man and the world most famous architect?
By commissioning Olafur Eliasson, Europe philosopher of spectacle, for the inaugural exhibition at his Fondation Louis Vuitton, Bernard Arnault surely wants visual wizardry but also some gravitas, to offset the museum rich man image.
With works including for Unthought Thoughts a fivefold symmetrically patterned immersive light and mirror installation; Infinity a corridor lined with blackened sandpaper; and a rooftop sun tracker directing rays into Frank Gehry building, Eliasson has come up with a show steeped in abstraction. The effects sound so ephemeral that they imply a replica louis vuitton handbags riposte to the sturdy materialism symbolised by fake designer bags the LV initials carved, jewel like, over the building entrance.
Eliasson says the show, entitled Contact, is the horizon that divides, for each of us, the known from the unknown So are you an existentialist? I ask the Danish/Icelandic artist when we meet in London ahead of the opening later this month.
don see myself as a particularly existential person, Eliasson replies carefully, although he looks the part: solemn, spectacled, floppy haired, casually dressed in dark trousers and a blue T shirt bearing the word about life aaa replica designer handbags should be taken in a prosaic manner. Often, ideas don come from the inside. And they not handed down from replica louis vuitton bags God that a romantic notion. They are pragmatic, they come from everyday life replica louis vuitton bags , from the gutter of time, he continues.
It is important, he says, not to mistake an idea for a work of art. an idea and doing something, there a bridge. First you make a sketch, it a small doodle but it amazing, at that moment you have changed the world! Then you might do another drawing, a cardboard model, add colour, put it into a computer, maybe a scientist assists. The assumption in our society is that creativity lies within these choices, between cardboard and wood, red and blue, floor or ceiling, but it doesn It is in the quality of the way it grips the world. replica louis vuitton installation, Watch huge blocks of ice from Greenland placed outside Copenhagen town hall as physical wake up call to climate change melted away a few weeks ago. Does he believe that art can transform the world?Most contemporary installation artists, though, enjoy no such thing: from celebrities like Damien cheap louis vuitton bags from china Hirst to museum insiders such as Bruce Nauman, Doris Salcedo and Richard Tuttle, they meet with public derision or incomprehension. Eliasson is an exception: his Project with its giant mirrored sun in a misty atmosphere, drew 2m visitors to Tate Modern. It remains the defining image of how 21st century art can be a focus for social connection, political engagement its underlying rhetoric was about climate change and fun. lay on the floor, staring up at themselves reflected in that ceiling, lit by the pale yellow light of their new sun god, critic Robert Hughes applauded.
Particle is a curatorial buzzword but Eliasson works, achieving their effects by altering sensory perceptions, then perhaps social or political ones, really do depend on Designer Louis Vuitton Replica Handbags visitors responses. once a text has been read, the way it impacts on people reading it that the creative centrifugal force. It not a final work, it the journey, he says.
At the LV foundation, that voyage progresses through an enveloping theatre of light and shadows transporting audiences into the apparent darkness of outer space via a reversed water flow sculpture, Planet a Bang Fountain and a glass polyhedron called Particle Like asteroids, visitors will themselves floating through the space, meeting the artworks, meeting other visitors, and seeing them fly by. this is the Nordic romantic sublime reinvented for the space age replica louis vuitton bags , it is also informed by Scandinavia other ideal: the replica designer handbags social contract. studio is not a closed unit, it an instrumental part of society, Eliasson insists. is about interdependence. In his studio in Berlin he commutes there from Copenhagen, where he lives with his art historian wife and their two children, adopted from Ethiopia Eliasson employs a staff of 90: architects, engineers, technicians, two cooks. The studio sustainable vegetarian cookbook was published last year; other philanthropic/business ventures include Sun a bright yellow solar powered LED lamp at Tate Modern shop whose sale in the west allows its distribution at low prices to parts of Africa without electricity.
Eliasson acknowledges that grown up in northern Europe influenced me a lot though he adds that think of identity as a layering of everything we go through. Born in Copenhagen in 1967 to Icelandic parents who separated shortly afterwards, he experienced extremes of landscape during high quality replica handbags china holidays in Iceland with his father, artist who spent a lot of time in nature, he tour around and I be with him, but I be more interested in making dams. were not so many artists, 30 or 40 hanging out together. My luck was that when I started there had just been a financial crash, and there was a sudden change from the art of the 1980s to something more ephemeral and psychology driven.
was already very interested in artists of the West Coast replica louis vuitton bags , James Turrell, Robert Irwin, and also from New York F Gonz Cady Noland, the new sensitivity. We were not even against money, it just wasn part of the equation, we didn even have a critique against the market. is a long way from there to Arnault Fondation Louis Vuitton.
people are sceptical of the involvement of the private sector but it wrong to suggest I too good to high quality designer replica handbags work with the private sector. The better shows, more radical choices, more experimental platforms, are often in the private sector. Don underestimate how robust art is.
still has a definition of a self. In my case, what constitutes a self is the surrounding ability to hold it. When I speak to you now, you carrying me, you reflect me. the end, intimacy in Eliasson art is about us, not him.
encounter yourself through the work, he says, can remind you of something you knew about yourself but had forgotten, something holding unthought thoughts. We know from literature, theatre, how 1:1 replica handbags sometimes you recognise yourself in the work: is exactly how I feel, I just had not come to give that thought a shape. That is what culture fundamentally does.